Dennis Lim quoting Michelle Williams in the New York Times on 4 Sept 2008 wrote:As she spoke over a long lunch at a restaurant near her home in Boerum Hill, Brooklyn, Ms. Williams occasionally paused and smiled wryly as if to acknowledge the unspoken connections with her off-screen life. “It’s all so personal, isn’t it?” she said. “It’s hard to talk about work without talking about things that are personal. Work is personal. I don’t want to talk about my personal life, but it’s on my mind, and it’s in my work.”
Confessing to being apprehensive and out of practice, she thought long and hard before answering questions, searching for the right words — “I want to actually represent how I feel,” she said at one point — but also taking care to avoid unintended disclosures. “It’s a fine line between wanting to be known and understood but also knowing what’s sacred,” she said.
Dennis Lim quoting Michelle Williams in the New York Times on 4 Sept 2008 wrote:“When I work again maybe it should be a comedy,” she said. “I’ve always had a tendency for darker, more lifelike material. I think I had this sense that important things are heavy things. I don’t know if that’s true any more.”
Dennis Lim quoting Michelle Williams in the New York Times on 4 Sept 2008 wrote:In an e-mail message a couple of weeks later, Ms. Williams said she had been mulling over the questions that came up in the interview. “I’ve started thinking more clearly, my head hasn’t been so switched on recently,” she wrote. “I’ve always identified with loners and outcasts, I don’t know why. I guess this is why I found a home in independent film.” She added: “I wanted to work outside the system, which is why all this fame is a real brain teaser. What am I supposed to do with it? Can you work the system without it working you?
“Acting sometimes reminds me of therapy in that the more you talk about a traumatic or profound event, the more it loses its emotional tension. Switch on a bright light and find there is no boogeyman in the closet. So it is the same with a scene. Never tell the other actor or the director what you are ‘doing.’ ” The trick, she added, was to allow herself “to live in so much mystery, to rely on a feeling, an instinct, on faith, really, that everything I need is already inside me, and best I just don’t block the exit.”
Any thoughts?
Katy




